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Collaborating

Is there such a thing as a tone deaf musician?

Is there such a thing as a tone deaf musician?

by Christopher Sutton | Feb 27, 2014 | Tone Deafness, Choir, Singing

Have you ever encountered a musician who is a virtuoso on their instrument, seriously impresses you with their musicality, and then when an opportunity comes to sing something… they sheepishly tell you that they’re tone deaf? To many people this would seem...
The Art of Appreciating Accompaniment

The Art of Appreciating Accompaniment

by Ashley Evelyn Mazur | Feb 14, 2014 | Active Listening, Band, Singing

When a musician picks up a piece of music for the first time, their eyes zero in on their own line, whether that’s a vocal solo, clarinet solo, bagpipe solo, or choral octavo. It’s a natural response to look at the part you will be responsible for in a...
Practical Listening Skills for the Developing Choir

Practical Listening Skills for the Developing Choir

by Ashley Evelyn Mazur | Sep 11, 2013 | Choir, Singing, Teaching

Choir singers need a keen sense of pitch, and awareness of the other singers around them. Here are some tips and ear training exercises to develop these skills.

Bass Ear Training: How-To

Bass Ear Training: How-To

by Christopher Sutton | Jul 23, 2013 | Bass, Band

Bass ear training can help any bassist develop their musical ear in several areas, including relative pitch, playing by ear, bass tone and sense of rhythm.

The Power of Listening (Chris Tarry)

The Power of Listening (Chris Tarry)

by Guest Expert | Jul 19, 2013 | Bass, Active Listening, Band

Ear training is not just note recognition; it is a complete awareness of everything going on in a musical moment. Learn how to listen when playing in a band.

The Top 10 Reasons to do Ear Training

The Top 10 Reasons to do Ear Training

by Christopher Sutton | Jun 11, 2013 | Ear Training, Band, General | 0 comments

Great musicians have great ears, and you can have them too. Ear training is the key! Discover the top 10 reasons to start training your ear for music.

How to Arrange a Jazz Standard (Hans Hansen)

by Guest Expert | May 23, 2013 | Arranging, Band, Jazz, Song Writing, Timbre | 0 comments

Hans Hansen of “The Music Arrangers Page” explains the listening skills and sound judgements that went into this arrangement of the jazz standard “Jordu”.

A Cappella for Ear Training: Tips

A Cappella for Ear Training: Tips

by Christopher Sutton | Jan 18, 2013 | Choir, Singing | 0 comments

Now you’ve got the What, Why and How of using a cappella music for ear training, all that’s left is to share a few tips to make your journey a bit easier.

A Cappella for Ear Training: How

A Cappella for Ear Training: How

by Christopher Sutton | Jan 17, 2013 | Choir, Singing | 0 comments

There are many aural skills which benefit from focused a cappella listening. Here are some ideas, examples and tips for starting a cappella ear training.

A Cappella for Ear Training: What? Why?

A Cappella for Ear Training: What? Why?

by Christopher Sutton | Jan 15, 2013 | Choir, Timbre | 0 comments

What is a cappella ear training and why should you be using a cappella music for your own ear training even if you don’t sing? Find out in this article.

The Secret Aural Life of Drummers (or "How to Play Percussion by Ear, Confessions of a Rhythm Queen"!)

The Secret Aural Life of Drummers (or "How to Play Percussion by Ear, Confessions of a Rhythm Queen"!)

by Sabrina Peña Young | Nov 8, 2012 | Percussion, Band | 0 comments

Next up in our playing-by-ear series, we have another of our “home team”: Easy Ear Training author Sabrina Peña Young, sharing her perspective on playing percussion by ear. Rhythm is more than a drum set backing a jazz band, an excited crowd clapping in...
Music & Life: Teens, Listening, and Ear Training

Music & Life: Teens, Listening, and Ear Training

by Sabrina Peña Young | Sep 29, 2011 | Children, Band, General | 0 comments

Teenagers are naturally gifted when it comes to remembering music. Find out what it is about music that imprints a solid memory in teens (and adults too).

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