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Musicality

As musicians and music lovers we all have some instinctive understanding of what “musicality” is, and perhaps we can even spot it when we see (or hear) it. Do we truly understand the full range of skills and experience bundled up in that simple word though?

Musicality is a set of “inner skills” which let you freely and confidently express yourself in music. This is a very useful catch-all for “being musical”. It encompasses many of the skills we teach here at Musical U.


Ear Training

Ear Training

Ear Training is the process of developing your ear for music. If you love music, and especially if you play a musical instrument or produce music, ear training can help you to develop a musical ear so that you:

  • hear more in the music you listen to
  • understand what you’re hearing, and
  • have more creative freedom and control to express yourself through music.

People often assume that to have a good ear for music—meaning to play by ear, to write songs, to have perfect pitch, and so on—you need to be born with the “gift” of music. This is not true.

Musicality is learnable, and even the most impressive and natural-seeming can be learned through dedicated ear training exercises.

In the past, ear training was a slow process involving tedious repetitive work. Now, in the 21st century, training can be easy, fun and effective by using modern technology to make ear training perfectly suit you and your love of music.

The main benefits of ear training for musicians are that it can give you that “ear for music” that lets you play more freely and expressively, play by ear, write songs, and enjoy music much more. The main benefits of ear training for audio professionals are that it gives you a sharper ear to hear the differences that can improve a mix, add excitement to a song, or let you fix problems directly rather than wasting time guessing at what you’re meant to be hearing.

Ear training is also intimately related to singing. Because the human voice is an instrument that everybody has, it is the most natural and direct way to experiment with the musical listening skills that you practice with ear training. You can use singing to help with ear training, and you can use ear training to help with singing—by improving your tuning and intonation, and helping you with sight-singing.


Who does Ear Training?

There are two main groups of people who do ear training:

  • Musicians: From every walk of life all over the world, people who play music, learn instruments, write songs and compose symphonies… all use ear training to improve their ear for music.
  • Audio professionals: In all areas of audio, from live concert sound engineers to DJs, recording engineers and studio producers… audio professionals use ear training to hone their sensitivity to the details in sound.

Musicians find that ear training helps no matter:

  • What instrument they play – guitar, piano, classical violin, and even singing
  • What style of music they like – jazz musicians, rock musicians, classical musicians, folk musicians and church musicians
  • What their musical goals are – whether playing by ear, improvising, or simply playing more expressively and accurately

By doing focused exercises for listening skills, a musician can enhance their inner musicality and so improve their craft. That’s exactly why all serious music institutions like Berklee College of Music make ear training a core part of the curriculum.

Audio professionals find that ear training helps whether they are:

  • Focused on frequencies – tweaking EQ at the mixing desk or using band filters to improve recordings
  • Using audio effects – creating the perfect sound by employing state-of-the-art audio effects
  • Troubleshooting audio – with live sound at concerts or in the studio, audio pros need to fix sound problems quickly

By equipping them with the enhanced ears they need to hear the detail, identify problems and areas of improvement, and apply their tools directly to get results, ear training lets audio pros stay at the top of their game. That’s why we call the best of them “Golden Ears!”

Why Musicians Are Training Their Ear

Many musicians start out in ear training because it is an essential part of instrument exams, for example the ABRSM exam aural skills tests. However, these tests are quite limited in what they cover, and are often taught in a very non-musical way! This leads to musicians thinking ear training is just about passing tests and learning music theory.

Nothing could be further than the truth!

Ear training is fundamentally about hearing and understanding music.

Musicians who spend time on ear training do it because it helps them be better at music. You can spend hours practicing guitar or piano and still never be able to play by ear. You can play scales and practice repertoire for hours on end, and still not know how to improvise a great solo or write a moving song.

These kinds of “natural” musical skills rely on your brain and your ear.

By doing musical ear training, any musician can gain these skills.

For example, although it can appear effortless and like a “gift” when the best musicians do it, playing by ear is a learnable skill. By developing your ear for music by dedicated ear training exercises, you too can start to instinctively understand what you hear in music, and play it back on your instrument.

Another example: you may have struggled with melodic dictation, or music transcription in the past. By improving your musical ear with ear training, you can connect the sounds of music with their written form so that music dictation and transcription become easy, natural activities.

Why Producers and Audio Engineers are Training Their Ear

Ear training has long been a part of audio engineers’ professional training, and anyone who spends hours listening to music recordings and making minor adjustments to improve the sound can benefit from training their ears.

Like in the music world, those who naturally start out with better ears are revered as “gifted”. They even have a name for it: “Golden Ears”

But just like with music, in the audio realm, ear training can help you get those seemingly instinctive skills.

For example, most engineers gradually develop a sense of how to adjust EQ bands to improve the sound balance of multiple tracks on their DAW. By doing dedicated ear training these skills can be tightly honed, so that rather than being a slow process of trial-and-error on a 10-Band EQ, they can look at a 30-Band EQ and instantly tweak just the right band up or down to improve the mix.

Audio ear training isn’t just about frequencies. It’s also about other aspects of sound, such as the audio effects applied. This includes reverb, distortion, modulation effects and so on—these all change the nature of the sound, and by doing focused ear training exercises, audio pros can learn how to set FX to create the perfect sound for any situation.

With dedicated audio ear training, any audio professional or recording musician can upgrade their ears until they too gleam like those renowned “Golden Ears”!

Why Music Fans are Training their Ear

Music is amazing, beloved by people of every age, gender, race, and culture. Wouldn’t it be great if there was a way to enjoy every piece of music you listen to. (every song, every chord, every note) more?

Ear training isn’t just for serious musicians and audio professionals. Even if you are simply an enormous music lover, musical ear training can help you hear more in music, understand music more, and enjoy music more.

It’s like the difference between visiting a foreign country and enjoying the overall experience of being immersed in the culture… and actually learning a bit of the language before your trip, so that you can read signs, understand snippets of conversation, and actually meet some of the locals.

Ear training for music fans can let you feel like a musician yourself, without the need to ever pick up an instrument. You can learn the names of those musical elements that sound so familiar, and get a better musical ear to appreciate a wider variety of musical styles and genres in a meaningful way.

Why Singers are Training their Ear

Ear training is a powerful tool for singers too. Whether you’re a:

  • solo singer
  • vocalist in a rock band
  • singer in your local church choir or community choir, or
  • you just enjoy singing in the shower

you can learn to sing more accurately and more confidently by doing singing ear training.

The main benefits are that developing your sense of relative pitch with ear training gives you better intonation (so you’ll never sing out of tune) and lets you sight-sing with confidence, by using interval recognition skills to judge note leaps reliably and sing them accurately. Singing harmony also becomes easier, as your musical ear is more sensitive to the other notes being sung or played. A vital skill for choral singing!

Singing is one of the most fun and natural forms of musical expression, and singing ear training can ensure you make the most of your inner instrument: the voice!

→ Learn more about singing ear training


Types of Ear Training

There is a wide variety of types of ear training—just like there is a wide variety of musicians, music-lovers and audio professionals!

Pick a topic in music, and the chances are there is a corresponding form of ear training to help you better recognize, create, or understand that topic by ear. Your ears are your primary tool in music, and so doing ear training exercises to target whatever area you’re working on is a truly effective way to boost your improvement in that area.

Here are some of the most popular ear training topics.

Pitch Ear Training

Pitch ear training is all about the notes in music, and specifically their pitch: how high or low they are. Every note has a particular pitch, and humans are naturally able to hear this property. Even when you listen to somebody speak, you can hear the pitch of their voice go up and down (important for language ear training, especially for tonal languages like Chinese!)

There are two distinct ways you can tune your ear in to the pitches of notes:

  1. You can identify them in “absolute” terms: without any other point of reference. We call this your sense of absolute pitch or “perfect pitch”.
  2. You can identify them by comparison to the pitch of other notes (for example, the note before or after it). We call this your sense of relative pitch.

You can do absolute pitch ear training and relative pitch ear training. Relative pitch is more important for most musicians, but in fact it’s most beneficial to do a bit of both!

Absolute Pitch and “Perfect Pitch”

One of the most controversial topics in music: Perfect Pitch!

Perfect pitch, or more accurately called “absolute pitch”, is the ability to identify a note by ear, without using any known note as a point of comparison.

A musician with perfect pitch can tell you out of nowhere that a single note played is a C rather than a C#, or a G, or any other note. They can tell what key a piece is in, without using an instrument to check. They can write down music they hear in their head exactly, without needing to play it on an instrument or use computer software to check it sounds how they think it will.

So absolute pitch is certainly a powerful skill. But because it’s so impressive, and some people naturally have a strong ability in this skill, many people incorrectly assume it is a “gift”, something that “natural musicians” are born with and nobody else can do. Although some people do have absolute pitch from a young age, abilities may vary (they’re not always “perfect”!) and it is a learnable skill.

One way to learn absolute pitch is to start with reference tone ear training, such as using a tuning fork or the note “middle C” as a single pitch you will practice identifying regularly. With this kind of perfect pitch ear training you drill the sound of the pitch into your brain—and believe it or not, your brain is more than capable of learning the particular frequency of that note.

Once you have internalized one reference pitch like this, you can either extend your perfect pitch skills by training with more notes, or combine it with relative pitch ear training to identify other notes based on your reference pitch.

→ Learn more about perfect pitch ear training

Relative Pitch

For most musicians, relative pitch ear training is far more useful than absolute pitch ear training. It is rare that one needs to identify an exact note without any point of reference, but judging pitch differences and identifying one note based on another is a practical everyday musical skill.

Relative pitch is primarily developed using interval training and chord training. An interval is simply the distance in pitch between two notes, and by practicing identifying intervals, and later chords (combinations of three or more notes), you improve your sense of relative pitch and can apply it directly to help you in music. For example, whether you realize it or not, the following musical activities all depend on your relative pitch skills:

  • playing by ear
  • composing music
  • writing melodies and chords for songs
  • improvising or playing solos
  • sight-singing music and harmonizing in a choir

Relative pitch also helps you to connect traditional music notation with the actual sound of the music. At first when you learn to read music you probably connect it with your instrument, learning how to move your fingers to play the notes written. But add in relative pitch ear training and the notation comes to life, as you can look at the notes on the page and actually hear in your head how the music would sound. This skill is called audiation—and it’s fundamental to developing real musicianship!

Doing relative pitch ear training helps you with note recognition in a variety of musical contexts, from working out chord progressions to play songs by ear, to writing down the music you hear in your head, or improvising more freely and creatively on your instrument. If you also practice perfect pitch ear training you can anchor these skills to particular keys too, knowing not just the relationships between the notes, but exactly which notes they are.

→ Learn more about relative pitch ear training

Being In Tune

Have you ever worried about whether you’re in tune or not? It’s a point of concern and sometimes embarrassment for a lot of musicians. Nowadays, with electronic tuners, instrumentalists like guitar players don’t need to worry so much about being able to hear if their instrument is perfectly in tune. But it’s still important to be able to recognize whether you’re playing in tune, whether your string bends are pitched right, and so on. Pitch ear training can help develop your musical ear in this way.

There’s also one group to whom the digital tuner is no help: Singers!

If you’re singing in a choir, performing solo, or fronting a band, you need to be able to pitch your notes accurately, and be confident that you’re singing in tune. Even if you’re on backing vocals, or just occasionally want to sing something to express a musical idea, pitch ear training can help you develop your sense of tuning and connect it with your voice so that you always sing in tune.

Interval Ear Training

Interval recognition is where most people get started in ear training. It’s the fundamental skill for relative pitch: identifying one note based on another, by accurately hearing the difference in pitch, which we call the “interval” between the notes.

For example, with interval ear training you can learn to hear that one note is a “perfect fifth” above another note, and if you know that the first note was a C, you can work out that the second was a G. In this way you can work out all the notes in a melody, or figure out chord progressions by ear. Other types of interval you’ve probably encountered in music theory or aural skills tests are perfect fourths, octaves, major thirds and minor thirds.

Intervals are the building blocks of melody and harmony, and so if you want to understand the notes of music, interval training should be central to your ear training practice.

You can improve interval recognition by doing specific interval ear training exercises where you practice hearing the difference between one type of interval and another. Most people will start with a small set of intervals (e.g. just thirds, or fourths and fifths), and gradually introduce the inversions and harmonic forms.

→ Learn more about intervals ear training

Chords Ear Training

Chords are how musicians tend to think about harmony in music: multiple notes played at once. Different combinations of notes will have different characteristic sounds based on the relative pitch relationships between their notes, and chord ear training teaches you to identify these different chord types by ear.

Any chord is a combination of notes above a root or tonic note, and using relative pitch ear training and specific chord ear training exercises you can train your ears to hear what makes these combinations distinctive. Chord recognition like this is useful for playing by ear and writing music, but also just enriches your enjoyment of music by building your harmonic appreciation skills and letting you hear more detail in the music you listen to.

One you’ve mastered recognizing the basic types of chord you can move on to training more advanced chords (like jazz chords) and recognizing chord inversions. These are all a part of relative pitch ear training, so your skills combine and you can actually identify a chord using your ability to identify an interval.

→ Learn more about chords ear training

Recognizing Triads

There are four types of triad chord which are the basis of most commonly-used chord types, so if you’re starting chords ear training, learning to recognize triads is a good first goal. The four types are major triad, minor triad, augmented triad, and diminished triad, and each has quite a different character.

(embed sound examples)

If you want to practice chord ear training, start with triad ear training and particularly learning to distinguish major and minor triads.

Recognizing Jazz Chords

One thing which makes jazz music distinctive is its use of more interesting harmonies than other musical genres, and this boils down to using particular types of chord. Loosely called “jazz chords”, these include seventh chords (which are four-note chords featuring the seventh note of the scale) and extended chords (which add in notes further than an octave away from the tonic).

Ear training for seventh and extended chords, and jazz ear training in general can let you recognize and understand these advanced harmonies in music, and use them in your own composing and playing.

Scales Ear Training

Let’s be honest: most musicians dislike scales. They are often simply a dull part of instrument practice and an unwelcome part of instrument exams! But fundamentally a scale is simply the palette of notes you draw on in a particular musical context—so connect the theory of scales with their actual sound (by doing scale ear training) and scales can become a powerful tool in your musical arsenal.

Just like with chords and intervals, there are different types of scales, and scale ear training lets you learn to recognize these by ear. At first you learn to recognize the scale when played up and down in sequence from the tonic, but as you improve your scale recognition skills you can learn to recognize scales when they’re used in melody and harmony too.

If you play an instrument you’re probably already familiar with major scales and minor scales. Use scale training to build on this to more advanced scale types and more versatile scale recognition.

Chord Progressions Ear Training

If you want to learn to play songs by ear, the best kind of ear training to do is chord progressions ear training. A chord progression is just what we call a sequence of chords in music, so if you’re trying to work out how to play the accompaniment of a song by ear, chord progression ear training is the key.

This is another relative pitch listening skill, as you recognize the sequence of chords based on the relationship between each chord and the next chord, or each chord and the key’s tonic. You listen for the interval between each tonic note. Practicing chord progression ear training builds up this kind of relative pitch ability in your ear.

Here’s a surprising fact: a staggering proportion of songs use just three or four chords! That’s why three chord songs and four chord songs are hot topics in chord progressions ear training.

3 Chord Songs

If you’ve ever wondered why so many modern songs sound the same, or why a new pop song on the radio can sound really familiar even the first time you hear it, the reason is: three chord songs. There are three chords which work particularly well together, called the “one” “four” and “five” chords, normally written in roman numerals “I” “IV” and “V”. Doing chord ear training for just these 3 lets you play a huge proportion of popular songs by ear.

If you’ve wondering what people are talking about when they say:

  • “play a one four five”
  • “its a 1, 4, 5 in G”
  • “it moves to the dominant, and then half a bar on the subdominant”

.. or you’re looking for the fastest way to improve your playing by ear skills: it’s time to do some three chord song ear training!

4 Chord Songs

Just one notch trickier than three chord songs, you can improve your play-by-ear skills even more dramatically with some ear training for four chord songs. By adding the “relative minor” or “six chord” (written “vi”) even more chord progressions are unlocked. Again, you’d be amazed just how many classic pop and rock songs use just these 4 chord!

There’s a reason they call these the “magic four chords”. Chord progressions ear training with the 1, 4, 5 and 6 chords can keep you playing songs by ear for a very, very long time…!

→ Learn more about chord progressions ear training

Rhythm Ear Training

Many musicians neglect rhythm ear training or take rhythm skills for granted, but having a tight sense of rhythm, and the ability to keep the beat and have accurate timing when you play is a big part of what distinguishes a professional-sounding performance from an amateurish one.

Some people are born with a strong natural sense of rhythm, but for most musicians it’s something that takes practice, and rhythm ear training can help you improve your rhythm in music. This is of course particularly important for players of rhythm instruments (drums, bass guitar, etc.) and percussionists but every musician can benefit from training their sense of rhythm!

Rhythm ear training doesn’t just help you become a more polished performer, it also unlocks your awareness of different musical genres, since rhythm is so often key to what defines a musical style or genre. Doing rhythm ear training exercises teaches your ear to distinguish rhythmic style in a more sophisticated and useful way.

A closely related area is tempo ear training: learning to keep a steady beat, and judge changes in musical tempo (BPM) accurately and reliably.

→ Learn more about rhythm ear training

Ear Training and “Playing By Ear”

Playing By Ear is one of the most highly-prized musical skills, and musicians who can play by ear have an unparalleled freedom and enjoyment of music. Despite the popular misconception that only certain musicians are capable of playing by ear, it is a learnable musical skill which depends on your listening skills.

By doing ear training focused on the various aural skills necessary to play by ear, any musician can learn to play music by ear. If you play an instrument you can almost certainly already play some things by ear. Clapping back a rhythm. Singing back a melody you have heard. Slowly working out how to play your favorite song by ear. These are all basic versions of playing by ear, and you can build on them with ear training exercises to increase your ability and play more advanced music by ear.

Many people interpret the phrase “playing by ear” to mean “play songs on guitar without written music”. This is indeed one form of playing by ear, and chord ear training can help any guitar player learn to do this. But it is just one part of a broader set of play-by-ear skills.

→ Learn more about playing by ear

Ear Training for Improvising Music

Improvising music can seem like a very advanced musical ability – the territory of professional jazz musicians, or “natural” blues musicians. Some musicians spend time learning to improvise, but in very restricted ways, like the guitarist who meanders up and down the pentatonic scale but can’t really venture beyond that sound.

Improvisation ear training can build up your ability to bring the music in your head out on your instrument, and improvise in a far more creative, expressive and confident way. Rather than being trapped in particular scales and known patterns, you can use the relative pitch listening skills developed through interval ear training and chord ear training to know which notes you want to play to achieve the musical impact you intend.

Whether you play rock music, jazz, or blues, learning to improvise is a very empowering experience, and can lead to a confidence on your instrument that’s hard to reach when you always depend on written music, or playing other people’s compositions by ear. Improvisation ear training builds the core listening skills you need to improvise freely.

Ear Training for Composing Music

Composers and song writers depend on their musicality to create new and interesting music. When a composer sits down to write something new, they depend on their “mind’s ear”, the ability we call “audiation” to first hear the music in their mind, and then bring it out, on paper, through software, or on an instrument. Ear training develops this core musicality.

If you want to:

  • write better songs
  • compose more innovative music
  • make the process of writing music more easy and natural

you’ll find that ear training can equip you with the “inner ear” you need.

Audio Frequency Ear Training

For music producers and other audio professionals, audio frequency recognition is the number one priority in ear training. Audio frequency ear training teaches your ear and brain to more precisely process the incoming sound and classify it into “bands” of frequency. For example, the bass bands (20Hz-262Hz), mid bands (262Hz-2kHz) and treble bands (2kHz-21kHz).

By doing frequency ear training exercises, you can learn to hear the EQ balance by ear and so adjust your mix to improve the sound. You might hear that the 240Hz band is too loud, and tweak that slider on your mixing desk or DAW software to cut it by a few decibels.

Frequency ear training can start off from the basic appreciation of bass/mid/treble, move on to 10-band EQ training (with white noise or pink noise, and then real music) and then even into the third-octave bands of a 30-band equalizer!

This sensitivity to the frequencies in music, and ability to act accordingly to improve the mix or fix problems is what gives the best studio engineers the name “golden ears” – it’s all in the ear, and it all comes from ear training.

→ Learn more about frequency ear training

Audio Effects Ear Training

These days it’s rare for recorded music not to feature audio effects (FX) of one kind or another. Depending on the genre and the artist, it could be a distortion effect, compression, reverb, modulation effects, or other weird and wacky audio processing! There’s almost certainly some audio effects at work.

Doing audio effects ear training can teach you to:

  • hear when FX are being used
  • judge the settings for FX and know how to adjust them
  • combine FX to achieve exactly the sound you have in mind

You might be a guitar player using effects pedals to control your tone, or a producer making adjustments in the studio when recording an album, or a live sound engineer responsible for creating the band’s characteristic sound. Whatever the case, honing your audio effects listening skills with FX ear training can help make sure you know exactly what impact effects have on music.

→ Learn more about effects ear training


Ear Training Apps

In the past ear training was a slow and boring process, most often done by sitting at a piano and bashing away at notes for hours trying to drill particular sounds into your head.

Now, ear training can be fun, varied and exciting, and one of the best ways to achieve that is with ear training apps. There are iOS ear training apps and ear training apps for Android, not to mention lots of online ear trainers. They can all be used to do ear training in a way that suits you, at whatever time and place is convenient.

For example, use an interval app to develop your relative pitch, or a melody app to practice playing by ear

Do mobile ear training or ear training online, but make sure you take advantage of modern technology to make your ear training exercises enjoyable!

Ear Training is not Music Theory!

Ear training is often associated with music theory, but in fact it is a separate skill and something worth studying in its own right. You can view instrument learning, music theory, and ear training as a trio which work together, each complementing the others, and each bringing its own musical benefits:

  • Instrument Learning
  • Music Theory
  • Ear Training

None of these alone will make you a truly great musician! The fastest way to become a confident and excellent musician is to study all three together.

It’s helpful to have some knowledge of music theory and music notation to do ear training, so that you understand the basic concepts like intervals and scales. But really, ear training is about developing the listening skills that correspond to those theoretical concepts.

Ear training isn’t totally abstract like music theory and it isn’t totally practical like learning an instrument. Ear training is what bridges the two worlds and allows you to use your music theory when you play your instrument. It brings the theory to life by giving you the listening skills to recognize and use the theory ideas in real musical situations.

Can Ear Training Help if I’m Tone Deaf?

“Tone deaf” means being unable to hear how high or low notes are.

Sadly, many people go through life believing that they are “tone deaf”. This normally stems from being told that they “can’t sing” or that they are “out of tune” when singing as a child.

In fact research has shown it is only a tiny proportion of the world’s population who are truly tone deaf!

The vast majority of people are perfectly capable of having a good sense of pitch, and the ability to sing in tune. Just two things hold them back:

  1. Under-developed listening skills: they can’t hear whether they are in tune or not
  2. Under-developed vocal control: they can’t reliably sing the note they want to

The combination of these two leads to unreliable singing performance, and many people get frustrated or embarrassed and simply declare themselves “tone deaf” – and miss out on all the joys that music can bring!

There is one powerful solution to both of these problems: ear training. By doing pitch ear training, most anyone can fix problem #1 and learn to reliably distinguish “in tune” from “out of tune”. By using singing ear training, you can quickly improve the control you have over your voice’s pitch and reliably produce the note you intend to.

A small amount of ear training can have you singing in tune in no time—and you’ll never call yourself “tone deaf” again!

Pitch

Pitch

Pitch is one of the most fundamental aspects of music, and developing your ear for pitch is an excellent starting point and area of focus for musical ear training.

Before you work on more advanced skills like relative pitch (interval recognition etc.) spend some time honing your pure sense of pitch: how high or low a note is.

Singing in Tune

Being able to sing in tune is an essential skill for all musicians, whether or not you are “a singer”. Once you know you’re not tone deaf, what if you still sing off-key or out of tune? The answer is that you need to learn to match pitch, develop vocal control and learn to sing confidently, reliably and accurately.

Tone Deafness

Many people (including musicians!) worry that they might be tone deaf. Tone deafness is a real condition but it affects an incredibly small number of people. So it’s worth learning about what tone deafness truly is and isn’t, and discover whether you are in fact tone deaf or not.

Relative Pitch

Relative Pitch is one of the core listening skills of music. The phrase can mean both a particular ability and a broad category of skills.

Any musician who’s serious about ear training will make relative pitch a central part of their training plan.

Your sense of relative pitch is what allows you to recognise notes in music based on the general musical context, i.e. the other notes being played. Unlike absolute pitch (or “perfect pitch”) this doesn’t mean identifying a note when it’s played in isolation. Instead it means that you can hear the relationships between notes, and use that to understand what you’re hearing.

Relative pitch powers abilities like:

  • Playing tunes by ear
  • Working out the chords to a song
  • Improvising on your instrument based on what you hear in your head
  • Sight-singing from sheet music
  • Being able to hear music in your head when you see it written down

All of these skills rely on your ear being able to judge the differences in pitch between notes: the pitch of one note relative to another.

Because this is such a central skill, we tend to use “relative pitch” to refer to a whole family of ear training topics. You can study each one, and they all benefit each other and enable real musical applications like those listed above.

Intervals

Intervals

Interval ear training can help you recognise notes and chords by ear. An interval is the distance in pitch between two notes. Different distances have different characteristic sounds, and so the intervals between notes have a big impact on the way those notes sound together.

Interval ear training can help you learn to recognize and reproduce intervals, and connect the characteristic sounds with their corresponding names. This may seem a little abstract, but it will assist you in a variety of real musical tasks.

Melodies

Melodies

A series of notes one after the other creates a melody. Melodies are what we think of as the “tune” but the same skills also apply to basslines, solos and accompaniment parts.

Scales

Scales

A scale is a series of notes in ascending or descending order of pitch. Scales are closely related to key and provide the framework which melodies and chord progressions are built from. Learning to recognise types of scale and the individual notes of a scale by ear can help you throughout your musical life.

Solfa

Solfa

Solfa (also known as “solfeggio” or “solfège”) is the “do re mi” system of naming notes. Although it is often associated with children, solfa is a powerful tool that can be hugely valuable to any musician by allowing you to recognise notes easily by ear.

Chords

Chords

Chords are everywhere in music. From the rich harmonies of classical orchestral music to the complex chord varieties used by jazz musicians and the young guitar player strumming away in his bedroom.

Any time you hear more than two notes at once – that’s a chord. But what kind? Major? Dominant seventh? Which inversion? What voicing?

Chord ear training can help make sure you always know.

Chord Progressions

Chord Progressions

Chord progressions – the movement from one chord to another – is the harmonic bedrock of music.

Certain sequences of chords are used more often than others, which is part of what we take for granted as music sounding “normal”. Ear training can help you to recognise chord changes and common chord progressions by ear so that you can write them down, play them on your instrument, or solo over the top of them.

Key

The key of a piece of music determines the set of notes it uses and you can learn to recognise the two types of key, major and minor, by ear. Key is closely related to musical scale and identifying the key can help you play by ear and transcribe more efficiently.

More Ear Training Topics

Audio

Audio

The word “audio” is used to refer to the sound qualities of a recording or live music performance. Aside from the pitch and rhythm of the music being played, there are also many factors which fall under the term “audio”, such as the balance of audio frequencies present, the way audio effects may be used to adjust the sound in various ways, and the way multiple sound sources are combined to make a pleasing mix.


Audio Frequencies

All sounds are made up of a combination of frequencies. In music the base frequency (called the fundamental) gives gives the pitch of the sound and the other frequency components (called ‘harmonics’ or ‘overtones’) give the characteristic timbre of the note.


Audio Effects

Audio effects are designed to manipulate sound. They can be software (computer programs or plugins), or hardware (like guitar effects pedals or rack-mounted machines). The effect these devices have on sound can vary from a subtle colouration to all-out sonic terrorism!


Audio Mixing

Audio mixing is the art of combining sounds to create a unified whole. When talking about audio mixing we tend to think about musicians creating an album in a recording studio, but audio mixing is just as essential in live music, film/television, radio, and computer games.

Dynamics

Dynamics refers to the volume of a piece of music and how it changes over time. It is a key part of the emotional impact the music will have. Learning to appreciate and manipulate dynamics will make you a more sophisticated and effective musician.

Genres

Genres

Different genres (styles) of music use distinctive techniques to create their recognisable sound. What makes rock different from pop? Ska different from reggae? Renaissance different from Romantic? Train your ears to recognise the characteristic sounds of genres so that you can identify them and even write, improvise and play music in these styles yourself.

Perfect Pitch

Perfect Pitch

Perfect pitch (or “absolute pitch” as it is more accurately known) is the ability to identify, or reproduce a note without reference to any other sound. It is a skill considered by many to be the holy grail of ear training.

The name “perfect pitch” hints at the mystery and intrigue which surrounds this skill. Those who possess it are often seen as intimidating, naturally gifted musicians. We aim to clear up some of that mystery and help all musicians develop their sense of absolute pitch to the degree that’s useful to them.

If developing perfect pitch sounds like an impossible task, you just might be surprised! It’s true that a select few people do seem to have an innate ability to identify tones by ear from an early age, but it is in fact possible for any musician or audio pro to learn and develop these skills.

You may find your own absolute pitch skills are already better than you think…

Rhythm

Rhythm

Along with melody and harmony, rhythm is part of the core foundation of all music. Whatever the genre, era, instrument, player or context of music – it’s the rhythm that provides the driving force to keep our ears tuned in and satisfy our deep instinctive appreciation of music more than anything else.

Tempo

Tempo

The Tempo of a piece of music determines the speed at which it is played, and is measured in beats per minute (BPM). The ‘beat’ is determined by the time signature of the piece, so 100 BPM in 4/4 equates to 100 quarter notes in one minute.

Developing a solid appreciation of tempo is essential for the performing musician – after all we can’t always rely on a conductor or a metronome to keep us on track!

Timbre

As well as pitch and volume, all musical notes have a tonal colour known as timbre. Timbre is what differentiates the sound of one instrument from another. It is a somewhat loose term compared to words like pitch and volume which we use to describe sound, but it can still be broken down and understood.


How To

Planning and Goals

They say that failing to plan is planning to fail, and that’s certainly true in music. It can be tempting to just “wing it” with your musicality training and enjoy the free exploration of learning music. But if you really want to reach your goals, you need to learn how to plan effectively.

Practice

Did you know that the way you practice music can have an enormous impact on how quickly you improve? Don’t waste your time with ineffective practice methods. Learn the tips, tricks and technologies that can accelerate your musical training.

Playing By Ear

Playing By Ear

Playing by ear is a highly desired skill among musicians. Although many assume you need to be born a natural to do it, in fact playing music by ear requires a collection of skills which can all be learned. Knowing the right kinds of ear training and the truth behind how playing by ear works can enable you to learn to play by ear quickly and easily.

Improvisation

Improvising music is sometimes seen as an advanced skill or relevant for certain genres only. However, improvisation has forever been a part of music in every style, era and culture. Learning to improvise great-sounding music doesn’t need to be hard! With the right ear training exercises and some mindset tips you can literally begin improvising music and enjoying the experience of improvisation today.

Transcription

Transcription

Transcription is the process of listening to a piece of performed music (a live performance or recording) and using listening skills to write it down. This could be as a score, guitar tablature, simplified notation, or even your own informal shorthand. Being able to transcribe music relies on a range of listening skills, including good absolute and relative pitch skills, along with chord knowledge and rhythm skills.

Many musicians develop ear training skills in order to improve their transcription, and as luck would have it: not only is ear training the best tool for improving transcription, but transcription is one of the best forms of ear training!

Song Writing

Have you wanted to write songs but not known where to start? Or perhaps you’re already a song writer and looking for ways to train your ears and develop your musicality to bring new expertise and inspiration to your song writing process? From melodies, to chords, to rhythm, to lyrics, dedicated musicality training can help you to become a more expert song writer.

Arranging

Active Listening

Audiation

Performing

Band

Choir

Sight Reading


Instruments

Bass

Bass instruments bridge the gap between pitch and rhythm in music, connecting drummer with singer and contributing a vital aspect of music.

Bass players therefore need a range of listening skills, broader than most musicians, and each can be developed with dedicated ear training.

Guitar

You can do ear training for the guitar and ear training on the guitar. Find out how to train your ear to improvise solos, play chords by ear, and perfect your own guitar sound.

Keyboard

There are many ways that keyboard (or piano) players wish to train their ears. With ten fingers there are complex relative pitch challenges in playing by ear, improvising and writing music for keyboard, and rhythm needs to be tight to whether you’re playing solo or accompanying other musicians.

Percussion

Whether you play a rock drum kit, simple hand drums, or a full orchestral percussion section, percussion players must train their ears in various ways if they want to sound great and be precise with their playing.

Singing

Every musician should be using their voice to train their ears. This goes double if you are “a singer”!

There is a fundamental connection between your ear, your “mind’s ear”, and your singing voice.


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