Just four strings? It must be easier than guitar.
Playing from tab rather than sheet music? You must not be smart enough for “real” notation.
One thing that bass players often have better than anyone else in the band: a good ear.
Bassists bridge the gap between rhythm (drummer) and pitch (guitar, vocals).
They need a blend of skills, and the ear to match.
That means that unlike some instruments where there’s one obvious area of ear training to focus on, bassists really must acquire and improve a number of key listening skills.
1. Creating Bass Lines
It’s not enough to just memorise the bass part to the songs you expect to play. You need to be able to create compelling basslines yourself, on demand, as the musical situation requires.
Do you understand what makes your favourite bass lines so great? Can you hear what distinguishes one style of bass line from another? Ear training can help you unlock the secrets lurking in those killer bass riffs.
What does that mean, specifically? Here are some ear training exercises you can do to improve your bass lines:
Chord Progressions Ear Training
Bass guitarists need to know what chords are being played, and how those chords relate to another in the context of the musical key. You may know your riff, but do you know why those notes are being used? Can you hear the underlying I-IV-V progression. Do you know why that note you play in the chorus suddenly gives the song a melancholy feel?
Progressions ear training can teach you how your bass lines relate to the rest of the music, and really understand your role in the harmony.
Also essential if you get called in to play with a band at the last minute. You don’t have time to memorise their set list and you can’t be reliant on song sheets up on stage—but if you can hear the chord progression you can improvise your bass part without a hitch.
Interval Ear Training
One way to pick apart the basslines and riffs you play is to dissect them into their component intervals. As a bassist you’re probably used to the fretboard patterns which correspond to thirds, fifths and octaves, for example.
Interval ear training teaches you to recognise these different musical intervals by ear, and improves your vital sense of relative pitch. This is a powerful way to help you start improvising bass riffs and solos, because you know before you play the notes exactly how they’ll sound.
Don’t just make guesses based on fretboard patterns you know are “safe” to play. Use interval ear training to connect the music you imagine in your head with your bass guitar, so you can play what you mean to play.
Scale Degrees Ear Training
Complementary to chord progressions and learning intervals, studying relative pitch in terms of scale degrees gives you a clear sense of where the notes you play belong in the key. Each note of the scale has a role to play, musically, and if you want to have a particular impact with your playing, scale degree ear training will tell you which notes you need to do it.
Solfège is a popular approach, where each note in the scale has a “name”, but simple numbering systems are useful to. This works in tandem with knowing intervals, so that you can think “I want to jump up a major third from here” or “If I play the major sixth of this chord it’s going to sound great”.
2. Playing bass by ear
The next area of ear training to think about as a bassist is playing by ear. This is more an activity than a particular skill: it draws on several areas of ear training.
If you want to be able to play the bass part of songs by ear, or make up basslines to suit a song, you’ll need to spend some time practising playing bass by ear.
The overall approach of play-by-ear ear training boils down to: Try it. Improve. Repeat.
It really is as simple as that, but there are ways to accelerate your progress. Use relative pitch ear training to help you make better guesses at the notes to play, practice active listening to become more musically conscious, and dedicate practice time every day to playing bass by ear.
Another thing which can help is to learn common bass riffs and runs, which builds up your vocabulary. In a way this is the same as interval ear training (teaching your brain to know what the sequences of notes you hear are) but in larger “chunks”. You may hear a particular riff you already know being used, or simply realise “oh, this is a bit like that other riff”, but either way, having a repertoire of bass licks, riffs and runs can make it much quicker to jump to the right answer when playing bass by ear
C. Bass Tone and Bass Effects
As well as which notes to play, you need to think about your overall bass sound. This is an important part of integrating with a band as well as having your own distinctive style.
We have a whole series dedicated to bass tone here on EasyEarTraining.com, but here are three quick pointers for thinking about your bass tone:
- The instrument itself.
Do you play electric bass or an upright/double bass? Does your bass guitar fundamentally create the right kind of sound for the music you play? Is it a high quality instrument that will allow you to produce a high quality sound?
- Your tonal balance.
Use the bass, mid and treble controls on your bass guitar and amp to get the right basic balance of bass and treble. This has a huge impact on your presence in the mix. Playing slap bass? You’re gonna want some treble for those “pops”. Playing low down in a reggae band? Crank that bass dial.
- Audio effects. This is where things can get wild and wacky. Use these in moderation, and adjust them to suit the particular song, but don’t be afraid to draw on a range of audio effects to achieve the musical impact you’re looking for.
All three of these areas are about choosing and using equipment well—but that is entirely dependent on your ability to listen critically to the sound you’re producing, having done appropriate bass t