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It covers every major topic, and is packed with all the tips, tricks, techniques and frameworks you need to unlock your true musical potential

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TheMusicality Book

Musical U » Ear Training » Page 5

Ear Training

Making Sight Singing Child’s Play, with Dale Duncan

Making Sight Singing Child’s Play, with Dale Duncan

by Christopher Sutton | Nov 13, 2018 | Podcast, Children, Interviews, Pitch, Sight Reading, Singing, Singing in Tune, Teaching

Singing teacher Dale Duncan shares his inclusive and highly effective approach to helping his students integrate pitch and rhythm skills in sight-singing.

About Why the Pentatonic Scale is So Great

About Why the Pentatonic Scale is So Great

by Christopher Sutton | Nov 8, 2018 | Podcast, Ear Training, Melodies, Scales

Learn about the power of the pentatonic scale, why it makes for such beautiful melodies, and how to use it as an improvisational framework.

Musical U Member Spotlight: J’aimeW

Musical U Member Spotlight: J’aimeW

by Andrew Bishko | Nov 7, 2018 | Musical U Spotlight Members, Guitar, Instruments, Planning and Goals, Playing By Ear, Practice, Singing, Solfa

We interview Musical U member J’aimeW on her pragmatic approach to her musical journey, sharing her Progress Journal entries alongside her answers.

The Creepy Minor Key

The Creepy Minor Key

by Charlotte A. F. Farley | Oct 31, 2018 | Key, Chord Progressions, Chords, Melodies, Music Theory, Song Writing

What better time than Halloween to explore music’s darker side? Dive into the world of minor and learn how to create your own creepy tune.

Clave: The Secret Key to Pop Rhythm

Clave: The Secret Key to Pop Rhythm

by Musical U Team | Oct 28, 2018 | Rhythm, Genres, Music Theory, Percussion

Did you know that the rhythmic backbone of pop music is borrowed from Afro-Cuban music? Discover the connection between African drumming and pop radio!

About Klezmer Music

About Klezmer Music

by Christopher Sutton | Oct 25, 2018 | Podcast, Genres

Musical U’s own Andrew Bishko talks Klezmer music, its cultural origins as Jewish folk music, and its idiosyncratic and expressive nature.

About Playing in Any Style

About Playing in Any Style

by Christopher Sutton | Oct 18, 2018 | Podcast, Genres, Jazz

This week on the Musicality Podcast, jazz and blues expert Steve Nixon discusses the skills and attitude required for being a multi-genre musician.

Absorbing Music through Active Listening

Absorbing Music through Active Listening

by Guest Expert | Oct 17, 2018 | Active Listening, Ear Training, Instruments

Learn about the practice of active listening, and the benefits it holds for your repertoire, music appreciation, ear training, and songwriting.

Designing for Joyful Learning, with Anne Mileski

Designing for Joyful Learning, with Anne Mileski

by Christopher Sutton | Oct 16, 2018 | Podcast, Children, Interviews, Music Theory, Practice, Sight Reading, Solfa, Teaching

Anne Mileski discusses her music journey and her teaching perspective as an early music educator who uses Kodály, Orff, Dalcroze, and Music Learning Theory.

Focusing on What Matters, with Jeff Schneider

Focusing on What Matters, with Jeff Schneider

by Christopher Sutton | Oct 9, 2018 | Podcast, Improvisation, Interviews, Jazz, Practice, Rhythm, Sight Reading

Composer and music educator Jeff Schneider talks to Musical U about effective practice, the learning process, and keeping your creative output alive.

Listening Skills: The Key to Developing Your Harmonica Sound

Listening Skills: The Key to Developing Your Harmonica Sound

by Guest Expert | Oct 3, 2018 | Ear Training, Active Listening, Improvisation, Instruments, Practice

Blues harmonica expert Fredrik Hertzberg discusses ear training as the key to unlocking your musicality and creating your own sound on the harmonica.

Listening for ii-V-I Chord Progressions

Listening for ii-V-I Chord Progressions

by Sabrina Peña Young | Sep 28, 2018 | Chord Progressions, Chords, Music Theory, Song Writing

Open your ears to the versatile ii-V-I chord progression, learn its inner mechanics, and find out how you can use it in your own songwriting.

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