Instrument Pack: Bass

Bass Instrument PackThe bass Instrument Pack provides video tutorials and practice MP3s to add instrument-specific guidance to the core musicality training provided at Musical U.

Resident Pro: Steve Lawson

Steve Lawson

Steve Lawson is renowned above all else for his creativity and pushing the boundaries of what’s possible on the bass. He has published over a dozen solo albums, regularly performs live, is a respected thought-leader on the future of music education, and is currently doing a PhD on the topic of improvisation. Steve is known worldwide for his pioneering work in solo bass, employing techniques and technology to create fascinatingly rich recordings and live performances that sound nothing like you might expect from a bass guitar.

Resource Pack Previews

Every month we release a new Resource Pack for bass. Here are previews of the packs so far:

Pack 1: Beginning Improvisation

Improvisation on bass can go far beyond a simple turnaround fill or technique-heavy solo. In this first pack our Resident Pro for bass, Steve Lawson introduces an easy and practical way to get started, as well as some insightful tips on the mindset you should take to exploring improv on bass.


  • How to approach improvisation
  • How to gradually develop your improv skills
  • Thinking in terms of a grid of notes, not just a linear sequence
  • Two starting exercises and other interesting ways to explore this pattern
  • MP3 tracks demonstrating two styles and providing backing tracks for you to experiment with

With these specific exercises (and the large number of interesting musical variations Steve introduces to expand on them), combined with the overall approach he teaches, you will be well equipped to begin creating your own licks and lines and start taking real ownership of what you play on bass.

Pack 2: The Major Pentatonic

The major pentatonic pops up in basslines across a variety of genres and that makes it a powerful tool for the bassist who wants to improvise, write their own lines, or play basslines by ear. Steve dives deep into the several different ways you’ll encounter this scale being used – and shows you how to get familiar with them all – through fun and creative playing exercises.


  • Where you’ve heard the major pentatonic before on bass.
  • The useful connection between the pentatonic and the chords of a key.
  • Different ways to play through the notes of the scale to internalise its potential uses.
  • Finding the root note in different positions of the scale.
  • Using certain notes as “pivot” notes in your riffs and lines.
  • MP3 practice tracks to experiment with the major and minor pentatonic in different keys and styles.

As always Steve brings an extensive knowledge of bass history and a creative mindset to learning the practical skills, making this a far more interesting and valuable tutorial on the major pentatonic than the traditional purely-theory-based way of teaching it. Get your Motown groove on!

Pack 3: Audiation

If there’s a bassist who’s truly free of the improvisation-by-numbers that traps many musicians it’s Steve Lawson, and in this month’s video tutorial he explains how singing can be the key to getting there yourself:


  • Why sing every exercise you do on bass.
  • Different ways to practice singing and audiation using scales, including a Dorian mode example.
  • How this leads to you improvising in a whole new way.
  • Example songs and basslines you can practice with.
  • Using your voice to help you figure things out by ear.

Finding the right notes by ear becomes much easier when you use audiating and singing as stepping-stones and the more you practice with the exercises Steve teaches, the sooner you’ll be able to play the right notes first time, every time.

Pack 4: Scale Degree Recognition

The bassist typically plays a certain role in a band and in this Resource Pack Steve presents a view on scale degree recognition that’s unique to bassists.

Steve explains how recognising scale degrees based on the key or current chord can help you figure out basslines by ear (or create your own), and introduces several exercises to help you develop this skill.


  • The two ways to apply scale degree recognition for basslines
  • Exercises to help you tune in to the root note movement, whatever the full harmony might be doing
  • How scale degree recognition can help you playing a specific bassline by ear or coming up with your own to suit the progression
  • An everyday activity you can do without your bass to help you improve
  • MP3 Practice Tracks providing chord progressions to try figuring out by ear

Pack 5: I-IV-V Chord Progressions

In this pack Steve dives deep into the various ways basslines can connect to the chords in a song and showed a practical method you can use to learn to recognise these progressions reliably at the same time as learning to play them.


  • The musical function of these three chords and what to listen for
  • Why it’s not (always) as simple as just listening for the root note movement
  • Five ways basslines are built on progressions like this and how to learn to use and recognise each of them
  • MP3 Practice Tracks for practicing building each of these types of bassline over various progressions using the I, IV and V chords

Pack 6: Rhythmic Precision

True to form Steve took what could have been a very formulaic topic – how bassists get good at rhythm – and stripped it down to what really matters, musically.


  • Why rhythmic “precision” is really more about rhythmic “control”
  • How listeners’ expectations about rhythmic timing have changed over the years
  • A powerful exercise that both trains your “inner metronome” and gives you the space needed to make your rhythms musically expressive
  • A long backing track MP3 with a selection of licks you can use to train this skill

In this Resource Pack Steve makes clear why having good rhythm on bass is about more than playing like a robot, and how you can develop a truly musical ear for rhythm.

Pack 7: The Power of Dynamics

In this pack, Steve breaks down the topic of dynamics into control and variation, how you can and should train your fingers (and ears) to produce exactly the volumes you intend to bring out the desired musical expression on bass.


  • Dynamic Control: Fingering techniques that will created accented and unaccented notes.
  • Dynamic Variation: Levels of dynamics and playing techniques that can produce different dynamic results.
  • Mechanical Control: How to use equipment to control dynamics.
  • Practice MP3s demonstrating techniques used for dynamics for you to practice with.

Bassists are often underappreciated when it comes to dynamics due to the widespread reliance on compressor pedals and expectation that notes are as consistent and unvaried dynamically as possible – but Steve cracks that assumption wide open and shows what’s really possible for you.

Get the Bass Instrument Pack

Instrument Packs are available for purchase within Musical U as an upgrade to your member account.

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